“Erasmo Palma: Matachín dancer, Tarahumaras songwriter, resource for anthropologists, our informer and friend since 1978.” (Régis Hebraud)

“The most culturally mixed of the Tarahumara dances, a hermaphrodite dance says Raymonde. We may have captured a little of Artaud’s vision in the Le rite du peyotl chez les Tarahumaras.” (Régis Hébraud)

The 80th birthday of Erasmo Carlos, pioneer of Brazilian rock, in never-before-seen images: the Tijuca gang, Jovem Guarda, international success, Roberto Carlos and his influence on behavior.

Ce film est la chronique d’une rencontre : celle des Indiens Tarahumaras et d’une caméra à la recherche d’un peuple que l’étymologie appelle « au pied qui court ». Montage musical : rythmes de démarches, de gestes coutumiers, et postures.

Sanne's and Markus' relationship is in crisis. They go on holiday together, but accidentally fly to the wrong island. There, in desperation, they break into an empty holiday home and embark on a role-play using new identities. At first, the game is an exciting rediscovery of their relationship, but it becomes increasingly destructive as they force themselves into archaic roles.

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This film was shot during Easter 1985. It shows the preparation and staging of the Passion in the village of Norogachic, Mexico. The initiation rites of two Pascoleros, filmed for the first time, form the center of this document.

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